*Draw back the curtain, dusty and threadbare, to my childhood, and you’ll see a kid propped with a book as often as anything else. We had the first color TV in our neighborhood, a modern wonder that everyone came to watch, me gloating over the regal status of our family. A tiny in-ground swimming pool in our backyard cooled us each afternoon while everyone else traipsed to community pools to escape New Jersey’s blistering summers. I threatened all my limbs racing a bike over the uneven landscape of sidewalk slates erupted by the roots of saplings planted fifty years earlier, now grown to jungle size. My childhood also included an excess of torment, from events I won’t describe or attribute.
At night when my jelly jar beamed with lightning bugs signaling for release, when the attic creaked its rotted beams and Jack Parr entertained adult viewers with his suave, nasal humor on late night TV, I lay in bed with a book and entered worlds more fierce and tragic, heroic and dangerous, romantic and exotic than my own. The Witch of Blackbird Pond, Johnny Tremain, The Adventures of Tom Sawyer, Little Women, Black Beauty, The Borrowers, Heidi, The Adventures of Huckleberry Finn, The Twenty-One Balloons, A Little Princess, The Swiss Family Robinson, Hans Brinker or the Silver Skates, The Secret Garden, Pollyanna, The Railway Children – all these and more captivated me and kept me up hours past bedtime. They gave me insight to the difficult lives of others. They gave me courage, come morning, to tackle another day. One book was so special I bought a copy for my grandson years before he could read it.
The Yearling, by Marjorie Kinnan Rawlings, is about Jody, a youngster who lives in the Florida back country with his parents and his orphaned pet fawn, Flag. Life is harsh and hard scrabble shortly after the end of the Civil War. Every grain of corn is a hedge between mere hunger and flat out starvation, every encounter with nature a potential threat to existence, every neighbor an adversary with their own desperate circumstances to overcome. Jody adores his indulgent pa, his remote ma, his sensitive, crippled friend, and Flag. Flag grows up to become a healthy, ravenous buck and a threat to the family’s tenuous grasp on sufficient sustenance for the following year, forcing Jody to make an unthinkable decision. He must sacrifice the thing he loves most to save his family, his first act of manhood.
The Yearling clutched at my heart like no other book. It was first of all much longer than anything I’d read by at least a hundred pages. Rawlings believed I could read a book this long, that I had the stamina to maintain attention for a sustained period. She trusted that I had the intelligence to keep tabs on a large cast of characters, some so ingratiating I still love them, some despicable, all of them original and unforgettable. She engaged me with a complex plot and a sense of language so identifiable that I learned to speak nineteenth century Floridian with the best of the swamp dwellers.
More than that, Rawlings threw me a life raft. All the stories I’d read and loved told tales of people, usually children, surviving unlikely odds, but The Yearling treated me like an adult. (In fact, she wrote a book. It has come to be considered a young adult book.) Her dollar words and profound ideas made me think about the issues that motivate people to endure the impossible. The story gave me insight into how to navigate the unpredictable and sometimes violent swamp of my childhood. It showed me a way to identify the currents beneath my own strange family issues and swim to the surface. I couldn’t understand Jody’s ma, and I couldn’t understand my own mother. And the book made me want to write like Rawlings.
What did a New Jersey kid know about the wilds of the Louisiana or Florida swamps, the vastness of the American prairie, or even the poverty of the downtown Trenton Black neighborhoods? Not much. Didn’t stop me from writing about them. My stories became populated with folks who had Southern drawls or Western twangs and lived in foul places built more of imagination than any reference to real locales. What did an eleven-year-old know about restrictive social impositions on the other side of town that made it impossible for a man to care for his family or for a woman to walk downtown proudly? Hardly a thing. Didn’t stop me from creating them. My characters faced unjust tribulations and resolved them with courage and invention even if the events were outrageous and the outcomes impossible. I didn’t even flinch from occasionally letting a protagonist die. Melodrama was my forte.
My teachers encouraged me, if only because I used lots of adverbs and adjectives and fashioned strange names for my characters. I won a few school awards and fleeting acknowledgement. My parents applauded my effort though I’m pretty sure they never read anything I wrote.
No matter. In the far dark corner of my room sat the spirit of a little woman with a stern face who waited patiently while I put down my stories in longhand. My hero, Marjorie Kinnan Rawlings, prodded me to write. Decades ago and long interrupted in my adulthood but now restarted, I wrote stories. I wrote first for children, stories about overcoming injustice and facing down heartache. Now I write for adults, stories about the complex relationships between people against the background of momentous historical events. They’re about people who confront savage or mysterious circumstances and overcome personal failure to find a way to triumph. It’s what happened to Jody. I try to engage readers as much as Rawlings engaged me. I hope that people find solace in my stories for what can’t be described or attributed in their lives.
The Yearling won the 1939 Pulitzer Prize for Fiction.
What childhood book stays with you?
I look forward to learning about your favorite Y fiction books.
*Note: This article was first published (with slight differences) on Ink Flare in 2013. Though I intended to assign a different book review to Y, The Yearling has had such major impact on my life as a person and a writer, that I realized this is the only book that would reflect my passion for storytelling.
Other books that were serious contenders for Y:
The Ya-Ya Sisterhood (series) by Rebecca Wells
Year of Wonders by Geraldine Brooks
The Years of Rice and Salt by Kim Stanley Robinson
A Yellow Raft in Blue Water by Michael Dorris
Yertle the Turtle by Dr. Seuss
The Yiddish Policeman’s Union by Michael Chabon
Book cover image courtesy Google images and Charles Scribner’s Sons
I’d long anticipated reading Dark Wine at Death, Book 4 in the Hill Vampire series by Jenna Barwin. It sizzled way beyond my expectations. The fast paced, engaging story line picks up where Dark Wine at Dusk ended. Barwin is terrific at threading reminders of events and characters from the three previous books into this new story. She made it easy to recall details about the savage murderer loose on the Hill and become reengaged with the dangerous pursuit. And, it was very easy to remain enthralled by the love story central to the series.
Sharon Bonin-Pratt's Ink Flare 