This is not a tale for those who flinch at the R rating on some films. It’s about an incident that may make you blush, make you angry, make you question my taste in writing it. It props open the window about where I glean my tales and is meant as instructive insight. Just a warning: be attentive about what you read, what you show the kids. This may be rated R but it may be instructive about how we harvest stories from life’s true labors. (more…)
Sharon Lynne Bonin-Pratt began her writing career the way so many others have done: by first doing everything else. Winning entries in grade school art, story, and essay contests convinced her to become a writer, but the real world intruded in adulthood and demanded she pay bills, raise kids, be a contributing member of the community. Along that rutted path she worked in the commercial art field designing patterns for surfer shorts, bikinis, and Hawaiian style shirts, taught after-school art through a city recreation program, and structured an art curriculum for three private schools. Ten years ago the writing muse, struggling to breathe in letters to friends and art articles, found its way to the surface. In a two-week period Shari wrote 60 pages of her first historical novel, and didn’t stop for three years. By then a second book demanded paper – OK, computer space – and now the third is in final revision stage. Of course, final revision is two words with a long shadow and a little footprint. Some folk claim they will write when the floors get vacuumed, the family accounting completed, the new garden planted. Shari is proof that all those things can be successfully ignored but not the urge to write. Her fiction explores human relationships, revenge, rage, forgiveness, redemption, and all the labyrinthine quandaries that mess up otherwise perfect lives. She resides in Southern California with her husband who’s learned to vacuum but not to cook. And the garden needs help.
Sharon Bonin-Pratt's Ink Flare 